Wit als sneeuw, zwart als inkt: De sprookjes van Grimm in de Nederlandstalige literatuur

http://www.lannoo.be/content/lannoo/wbnl/listview/1/index.jsp?titelcode=29003&fondsid=0

Verschijnt in september 2012

Hoe Sneeuwwitje, Hans en Grietje en Doornroosje hun weg vonden naar het Nederlandstalige publiek. Twee eeuwen geleden waren de sprookjes van Grimm allesbehalve populair. Eind 19de eeuw braken ze door in Vlaanderen en Nederland. Waarom liet het succes zo lang op zich wachten? Hoe werden ze uiteindelijk toch bekend? Hoe ontstond de sprookjesverzameling van Grimm? Hoe inspireerden ze vertalers, auteurs, illustratoren? En hoe werden de verschillende bewerkingen van de sprookjes aangepast aan de gangbare normen van die tijd? Een onmisbaar boek voor sprookjesliefhebbers boordevol sprekende voorbeelden en sprookjesprenten.

Critical and Creative Perspectives on Fairy Tales: An Intertextual Dialogue between Fairy-Tale Scholarship and Postmodern Retellings

In Critical and Creative Perspectives on Fairy Tales: An Intertextual Dialogue between Fairy-Tale Scholarship and Postmodern Retellings Vanessa Joosen broadens the traditional concept of intertextuality to include academic texts. With three key texts from the 1970s at the center of her discussion—Marcia K. Lieberman’s “Some Day My Prince Will Come,” Bruno Bettelheim’s The Uses of Enchantment, and Sandra Gilbert and Susan Gubar’s The Madwoman in the Attic—Joosen connects the critical views expressed in these feminist and psychoanalytic interpretations with fictional fairy-tale retellings and illustrations that have been published in Dutch, English, and German since the 1970s.
While readers may not automatically connect fairy-tale retellings and criticism, Joosen argues that they represent a similar conviction to understand, interpret, criticize, and experiment with the original tale. Moving through her three critical focus texts in chronological order, Joosen addresses fairy-tale retellings in prose, poetry, and pictures, including revisions of “Snow White,“ “Cinderella,“ “Sleeping Beauty,“ “Hansel and Gretel,“ “Little Red Riding Hood,“ and “Beauty and the Beast.“ Authors and illustrators whose work is discussed include Paul Biegel, Anthony Browne, Gillian Cross, Emma Donoghue, Iring Fetscher, Adèle Geras, Otto Gmelin, Wim Hofman, Anne Provoost, Anne Sexton, Barbara Walker, and Jane Yolen.
Joosen argues that retellings and criticism participate in a continuous and dynamic dialogue about the traditional fairy tale, but on different terms. Critical and Creative Perspectives on Fairy Tales offers many insights into the workings of fiction and criticism that will appeal to fairy-tale scholars, literature scholars, and general readers interested in intertextuality and fairy tales.